This video is for a song by Spoon Jackson, recorded over a prison phone & produced by Nicolas Snyder. In 2027 Spoon Jackson will have spent 50 years in prison. Spoon was 20 in 1977 when he was committed, he will turn 68 in August 2025. Spoon is a beautiful person that should not be behind bars and is trying to achieve clemency. I used motion capture and dreamy 2D textures on 3D to depict the swift fleeting moments of desire for freedom in the mind and reality.
A shadowy, well-dressed "consultant" is sent by his company to the town of Perham, MN, to investigate why residents of the town have been falling ill. What begins as a search for the source of the town's malaise transforms into a meditation on survival, self-preservation, and living on thin ice.
In Richmond, Virginia, a filmmaker's walkabout reveals a monochromatic landscape of behemoth motor vehicles.
Gu-neon (Nine Years) is a filmic reflection on memories after spending nine years away from Korea, their origin place. Through this diasporic dreamscape of personal pasts, communal identity and questions of belonging peaks through.
A memory resurfaces that you don't remember happening. A lifetime is spent carrying a bone that is nothing but a bone.
A group of ants carry a pink flower across the screen; Afghan bodies, in a state of disruption and movement grieve along.
A 16mm phytogram film, abstractly depicting a place I’ve called home all my life. I collected rain water to make the phytogram solution (washing soda and vitamin C powder) then collected fallen debris from the area to place on the film.
a video collage musing on the question “if puerto rican were forced to migrate to space, what would we bring with us?”
PT.1 RT : 44 mins
***_intermission_***A harrowing tale of just wanting to eat a nice affordable meal. Inspired by Chris Marker's La Jetee in the loosest way possible.
STROBE WARNING
Official music video for Norwegian artist Lene 3000’s debut single ‘taste love’.
An exploration in diary films, using VHS-C tapes and digital tools to talk about loneliness and disorientation abroad. This piece contains moments with my family cat back home in Chile, my beloved kurdish lover in Germany, and a night scene in Neukölln after our break up.
“Dezavo” is a nickname given to me - a phonetic spelling of the Greek pronunciation of déjà vu - describes the trait of one with a great sense of direction, but no sense of time, whose “eyes are still in the stars”; an experimental-documentary film about the recurrence of community and memory.
Regulatory signs shot on 16mm, hand-processed with caffenol, and subjected to both analog and digital corrosion. EOJ reimagines the anxiety induced by caffeine hypersensitivity and the pressures of social conditioning.
Taking its name from the ancient Chinese Book of Rites, or also known as Liji, this experimental short film features a young man who, after receiving a mysterious telephone call, performs a series of ritualistic acts to honor his ancestors.
This music video for the band Runnner portrays a journey of self-discovery through the streets, rivers, and aquarium(s) of New York City, where color and form eventually prevail over anxiety and hesitation. The video is comprised entirely from scanned photos, film, and Super 8.
A spectral reimagining of Peg Entwhistle’s fateful leap from the Hollywood sign in 1932. Bathed in grain and twilight melancholy, this speculative docudrama refracts the last moments of a forgotten starlet into a haunted meditation on fame, failure, and the myth-making machinery of American cinema. A celluloid séance in nine minutes.
PT.2 RT : 45 mins